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British composer (born 1982)

Musical artist

Stephen Barton (born 17 September 1982[1]) is a Grammy-nominated and SCL Award winning British composer. He 💋 splits his time between his native London and Los Angeles. He has composed the music for dozens of major film, 💋 television and video game projects.

Early life [ edit ]

As a child, Barton became a cathedral chorister at the age of 💋 eight in the world-renowned Winchester Cathedral Choir, touring internationally with the choir in the United States, Australia and Europe, including 💋 concerts in Sydney Opera House, the Royal Albert Hall, and Carnegie Hall; and performing on numerous albums and television broadcasts. 💋 He subsequently won a prestigious Department for Education specialist music scholarship to study piano and composition at Wells Cathedral School,[2] 💋 one of the oldest extant schools in the world. At 18, he became an assistant to the composer Harry Gregson-Williams, 💋 working for him on numerous film scores before branching out to form his own company in 2009.[citation needed]

Video games [ 💋 edit ]

In 2007, he wrote the score for the highly regarded Call of Duty 4: Modern Warfare (with Harry Gregson-Williams).[3] 💋 He teamed up with the same developers at their new company Respawn Entertainment to work on the music for Titanfall,[4] 💋 an online-only multiplayer shooter. Barton also created the music for the 2024 sequel, Titanfall 2. In 2024, he composed the 💋 original music for Titanfall’s battle royale sibling, Apex Legends, including the now iconic four note theme motif, and has continued 💋 to compose over three hours of music for all subsequent seasons of the game.

In 2024, he also co-composed the score 💋 for Star Wars Jedi: Fallen Order, which won the Society of Composers and Lyricists inaugural award for Best Original Game 💋 Score, as well as Music of the Year from G.A.N.G., amongst other awards. In 2024, he composed the score for 💋 the sequel, Star Wars Jedi: Survivor.

Film and television [ edit ]

Barton's film work include scores for Unlocked, Cirque du Soleil: 💋 Worlds Away, Jennifer's Body, Tom Dolby and Tom Williams' debut feature Last Weekend, Line of Fire, Mrs. Palfrey at the 💋 Claremont and the BAFTA nominated thriller Exam. He also contributed music for the Narnia and Shrek franchises (including the "Fairy 💋 Godmother Song" from Shrek 2) as well as Ridley Scott's Kingdom of Heaven, Tony Scott's Man On Fire and Ben 💋 Affleck's Gone, Baby Gone.

In television, he scored two seasons of the highly regarded TV adaptation of 12 Monkeys, and has 💋 collaborated extensively on nature documentaries with Natural History New Zealand and the Discovery Channel.

Chris Prynoski, the animator behind the hallucination 💋 scene in Beavis and Butt-Head Do America, heard Barton's score for Call of Duty: Modern Warfare and asked him to 💋 score Titmouse's animated series G.I. Joe: Resolute,[5] which led to a further collaboration on a series for Disney, Motorcity.[6] In 💋 addition to those he also co-wrote the music for MTV's Disco Destroyer,[7] a project conceived by Scott Mosier, Jim Mahfood 💋 and Joe Casey and animated by Titmouse, composing the score with Chevy Metal and My Ruin guitarist Mick Murphy. Subsequently, 💋 he scored Titmouse's Niko and the Sword of Light series for Amazon Studios.

In 2024, Barton served as the primary composer 💋 for season three of Star Trek: Picard, which was released in 2024. He was the sole composer for the first 💋 six episodes of the season and shared composing duties with Frederik Wiedmann for the final four episodes. Barton reused themes 💋 and styles from many prior Star Trek composers, notably including Jerry Goldsmith and James Horner, combining them with his own 💋 original music.[8]

Other work [ edit ]

Barton has collaborated frequently with Sir Anthony Hopkins since producing the soundtrack for the film 💋 Slipstream in 2006. He produced the Decca album "Composer", which topped the UK Classical charts for a month in 2012,[9][10] 💋 as well as collaborating with Hopkins on the production of "And The Waltz Goes On" with André Rieu, which won 💋 the Classic FM "Album Of The Year" award in the Classic Brit Awards 2012.[11] As a pianist he has performed 💋 extensively as a soloist with numerous orchestras including the Dallas Symphony Orchestra, Colorado Symphony,[12] City of Birmingham Symphony Orchestra, and 💋 the Brussels Philharmonic, as well as on numerous movie soundtracks and diverse albums including Hybrid's I Choose Noise[13] and playing 💋 the mellotron on a cover of Snowblind for Fireball Ministry's eponymously titled album in 2010.

He is recognized as a leading 💋 voice and expert in the emerging field of spatial and immersive audio, has consulted on the subject to the BBC 💋 and Qualcomm, is a committee member of the National Academy of Recording Arts and Sciences and a founder member of 💋 the Abbey Road Studios Spatial Audio Forum.

Discography [ edit ]

Film scores

Other credits

Television

Video Games

Introdução

No mundo dos jogos de azar, existem muitos termos e expressões que podem parecer confusos para os recém-chegados. Dois destes 🗝 termos são "bet" e "boo", frequentemente usados em betfair e seguro jogos de Craps, tanto em betfair e seguro ambientes físicos quanto online. Este 🗝 artigo explicará o significado destes termos e como eles se relacionam com o jogo de Crap.

A Aposta: "Bet"

"Bet", em betfair e seguro 🗝 português "aposta", é um termo amplamente utilizado no jogo de Craps. Foi registrado pela primeiravez na década de 1990, tendo 🗝 suas raízes provavelmente na cultura popular negra. É geralmente usado como uma interjeição de ênfase e expressa a ideia de 🗝 "excelente!" ou " palavra!".

Bet: exprime ênfase positiva, como em betfair e seguro "Boa aposta!" ou "Excelente!"

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